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Rembrandt Research Project
The Rembrandt Research Project (RRP) is an initiative of the Nederlandse Organisatie voor Wetenschappelijk Onderzoek (NWO), which is the Netherlands Organization for Scientific Research. Its purpose is to organize and categorize research on Rembrandt, with the aim of discovering new facts about this Dutch Golden Age painter and his studio. The project was started in 1968, but has since become the authority on Rembrandt and has final say in whether a painting is ''genuine''.
==Results==
As a result of the project, which analyzed documentation, techniques, and forensic research on Rembrandt paintings from his early years in Leiden until his death, the number of signed Rembrandt ''self-portraits'' around the world has been reduced by half. Also, more paintings have been attributed to students working in the Rembrandt studio, and more has been discovered about the ways in which the students worked. Recently, period copies of Rembrandt paintings are being studied for clues as to whether certain copies were factory-style pieces for visiting functionaries. Rembrandt's work was in high demand for decades, and he managed to keep productivity up while also keeping his prices high by enforcing strict quality control on the work done in his studio.
The project's five-volume publication, ''A Corpus of Rembrandt Paintings'', is considered the definitive authority by all auction houses and dealers who work with works by Rembrandt and his studio. The research project has proved invaluable to art historians, and the lack of such a project for other prominent Dutch painters such as Frans Hals is felt sorely by museums and collectors trying to acquire the same sort of ''stamp of approval'' on their paintings. However, the project has also initiated debate about the feasibility of conclusive attribution, particularly for painters who were associated with one or more workshops.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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